Events
We are looking for a Public Critic! Do you have what it takes?
Have you always had a secret desire to be a music critic? Want to publish that opinion of yours? How about free tickets to some of Chicago’s best concerts?
If you said, “yes!” we want to hear from you! ChicagoClassicalMusic.org is looking for new voices to review some of this season’s most exciting classical music concerts!
Here’s how it will work: Submit a brief review (200 words) of a recent concert you have attended and a letter explaining why you should be the Public’s Critic.
Deadline is October 25, 2009. Submissions to be mailed to critic@chicagoclassicalmusic.org.
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| Price: | $0.00 |
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| Event Type: | Instrumental |
| Composer: | Martinu, Fine, Bach, Brahms |
| Instrument: | Flute, violin, viola, cello, piano |
| Period: | 18th through 20th centuries |
| Tickets: | BUY TICKETS! |
Martinů: Madrigal Sonata (1942), for flute, violin and piano
Irving Fine: Fantasia (1957), for violin, viola and cello
Bach: Suite No. 2 in B Minor, BWV 1067, for flute, strings and piano
Brahms: Quintet in F Minor, Op. 34, for two violins, viola, cello and piano
| Price: | $0.00 |
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| Event Type: | Instrumental |
| Composer: | Irving Fine, Martinu, Bach, Brahms |
| Instrument: | Flute, violin, viola, cello, piano |
| Period: | 18th through 20th centuries |
| Tickets: | BUY TICKETS! |
Martinů: Madrigal Sonata (1942), for flute, violin and piano
Irving Fine: Fantasia (1957), for violin, viola and cello
Bach: Suite No. 2 in B Minor, BWV 1067, for flute, strings and piano
Brahms: Quintet in F Minor, Op. 34, for two violins, viola, cello and piano
| Price: | $0.00 |
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Victor Yampolsky, conductor; Maria Bachmann, violin; Grant Knox, tenor; University Chorale
Corigliano’s The Red Violin: Chaconne for Violin and Orchestra is a set of variations based on his Oscar-winning score for the 1998 film. This richly eclectic and poetic work encompasses classical elegance, gypsy passion, and angst-ridden harmonies. The baroque device of a repeated chord pattern — a chaconne — gives an overarching sense of unity to the film’s episodic story line, resulting in a set of remarkably imaginative variations on a theme of haunting pathos. Violin soloist Maria Bachmann was hailed by the New York Times as “a violinist of soul and patrician refinement.” The program also includes Liszt’s A Faust Symphony.
Free
| Price: | $0.00 |
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| Tickets: | Buy Tickets |