Chicago Symphony Orchestra
Mark Elder, conductor
Robert Chen, violin
Jan Vogler, cello
Delius
-
A Song of Summer
Sibelius
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Symphony No. 6
Webern
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Five Pieces for Orchestra
Brahms
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Double Concerto
Read more about Robert Chen »
Read more about Jan Vogler »
Brahms’ Double Concerto for violin and cello, written for two of the composer’s friends, is his final orchestral work. From its majestic opening to the gypsy finale, this is one of the most beloved of all concertos.
Songs of Love and War
Venue: Harris Theater for Music and Dance
205 E. Randolph St., Chicago, IL.
7:30 p.m
Fulcrum Point marks this 10th Concert for Peace by presenting four Midwest premieres exploring relationships and the nature of love and war through music and poetry from the perspectives of soldiers, spouses and prisoners. The program includes Midwest premieres of “Songs of Love and War” by Paul Moravec, “Three Letters from the Unknown Soldier” by Poul Ruders, “Camp Songs” by Poul Schoenfield and “Peace” by David Schiff.
The audience is invited to stay for a post-concert reception and discussion with the composers and performers. There will be complimentary wine from VinDiVino and refreshments.
Featured Artists:
Stephen Burns, trumpeter/Artistic Director
Julia Bentley, mezzo soprano
Kuang Hao Huang, pianist
Jeffrey Strauss, baritone
Mary Stolper, flutist
New Classic Singers, Lee Kesselman, conductor
"Peace" - David Schiff
World Premiere
"Camp Songs" - Paul Schoenfield
Midwest Premiere
"Three Letters from The Unknown Soldier" - Poul Ruders
"Songs of Love and War" - Paul Moravec
Mid-west Premiere
Wendesday, December 12, 7:30 p.m., Symphony Center, Chicago
Saturday, December 15, 7:30 p.m., Rockefeller Memorial Chapel
Monday, December 17, 7:30 p.m., Nichols Concert Hall, Music Institute of Chicago, Evanston
With soprano, Jennifer Ellis
www.baroqueband.org (312) 235-2368
Baroque Band, Chicago’s new period-instrument orchestra continue it’s inaugural season with three December performances of ‘Handel’s in a Rage’. Directed by British baroque violinist, Garry Clarke, Baroque Band are ‘a stylish and exciting period-instrument ensemble’ (Chicago Tribune) who have made an immediate impact on the Chicago music scene.
Jennifer Ellis is one of America’s leading early music singers and has sung with the Washington Bach Consort, the Bach Choir of Bethlehem, and the New York Collegium with Andrew Parrott conducting. Her international career has included appearances with the period instrument groups American Bach Soloists, Portland Baroque Orchestra, Santa Fe Pro Musica, Seattle Baroque Orchestra, Opera Lafayette, Musica Angelica, Magnificat, and Washington Cathedral Choral Society.
Handel’s in a Rage includes two of the composers fiery Italian cantata’s: Tu Fedel? Tu costante? and Armida abbandonata ; the concerti grossi Op. 6, No. 1 in G Major, and No. 7 in B flat Major and the overtures to Semele and Xerxes.Wendesday, December 12, 7:30 p.m., Symphony Center, Chicago
Saturday, December 15, 7:30 p.m., Rockefeller Memorial Chapel
Monday, December 17, 7:30 p.m., Nichols Concert Hall, Music Institute of Chicago, Evanston
With soprano, Jennifer Ellis
www.baroqueband.org (312) 235-2368
Baroque Band, Chicago’s new period-instrument orchestra continue it’s inaugural season with three December performances of ‘Handel’s in a Rage’. Directed by British baroque violinist, Garry Clarke, Baroque Band are ‘a stylish and exciting period-instrument ensemble’ (Chicago Tribune) who have made an immediate impact on the Chicago music scene.
Jennifer Ellis is one of America’s leading early music singers and has sung with the Washington Bach Consort, the Bach Choir of Bethlehem, and the New York Collegium with Andrew Parrott conducting. Her international career has included appearances with the period instrument groups American Bach Soloists, Portland Baroque Orchestra, Santa Fe Pro Musica, Seattle Baroque Orchestra, Opera Lafayette, Musica Angelica, Magnificat, and Washington Cathedral Choral Society.
Handel’s in a Rage includes two of the composers fiery Italian cantata’s: Tu Fedel? Tu costante? and Armida abbandonata ; the concerti grossi Op. 6, No. 1 in G Major, and No. 7 in B flat Major and the overtures to Semele and Xerxes.
Chicago Symphony Orchestra
Mark Elder, conductor
Stephen Hough, piano
Janácek
-
Jealousy
Rachmaninov
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Piano Concerto No. 4
Kancheli
-
...à la Duduki
Janácek
-
Taras Bulba
The last of Rachmaninov’s grand romantic piano concertos is one of his overlooked treasures, full of soaring melodies and impressive fireworks. Based on the famous Gogol story, Janácek’s Taras Bulba is a riveting symphonic poem of powerhouse drama and stunning musical effects.
Joyful carols, solemn chant and vibrant works for brass create a pageant of sound as voices rise to the rafters and bells ring out in the night. Celebrate the season with inspiring music in soaring spaces—assure your place at one of Chicago’s most beloved holiday traditions.
For tickets, or more information, contact the box office at 312.551.1414 or go to our website.
Wendesday, December 12, 7:30 p.m., Symphony Center, Chicago
Saturday, December 15, 7:30 p.m., Rockefeller Memorial Chapel
Monday, December 17, 7:30 p.m., Nichols Concert Hall, Music Institute of Chicago, Evanston
With soprano, Jennifer Ellis
www.baroqueband.org (312) 235-2368
Baroque Band, Chicago’s new period-instrument orchestra continue it’s inaugural season with three December performances of ‘Handel’s in a Rage’. Directed by British baroque violinist, Garry Clarke, Baroque Band are ‘a stylish and exciting period-instrument ensemble’ (Chicago Tribune) who have made an immediate impact on the Chicago music scene.
Jennifer Ellis is one of America’s leading early music singers and has sung with the Washington Bach Consort, the Bach Choir of Bethlehem, and the New York Collegium with Andrew Parrott conducting. Her international career has included appearances with the period instrument groups American Bach Soloists, Portland Baroque Orchestra, Santa Fe Pro Musica, Seattle Baroque Orchestra, Opera Lafayette, Musica Angelica, Magnificat, and Washington Cathedral Choral Society.
Handel’s in a Rage includes two of the composers fiery Italian cantata’s: Tu Fedel? Tu costante? and Armida abbandonata ; the concerti grossi Op. 6, No. 1 in G Major, and No. 7 in B flat Major and the overtures to Semele and Xerxes.
Chicago Symphony Orchestra
Mark Elder, conductor
Stephen Hough, piano
Janácek
-
Jealousy
Rachmaninov
-
Piano Concerto No. 4
Kancheli
-
...à la Duduki
Janácek
-
Taras Bulba
The last of Rachmaninov’s grand romantic piano concertos is one of his overlooked treasures, full of soaring melodies and impressive fireworks. Based on the famous Gogol story, Janácek’s Taras Bulba is a riveting symphonic poem of powerhouse drama and stunning musical effects.
Joyful carols, solemn chant and vibrant works for brass create a pageant of sound as voices rise to the rafters and bells ring out in the night. Celebrate the season with inspiring music in soaring spaces—assure your place at one of Chicago’s most beloved holiday traditions.
For tickets, or more information, contact the box office at 312.551.1414 or go to our website.
Wendesday, December 12, 7:30 p.m., Symphony Center, Chicago
Saturday, December 15, 7:30 p.m., Rockefeller Memorial Chapel
Monday, December 17, 7:30 p.m., Nichols Concert Hall, Music Institute of Chicago, Evanston
With soprano, Jennifer Ellis
www.baroqueband.org (312) 235-2368
Baroque Band, Chicago’s new period-instrument orchestra continue it’s inaugural season with three December performances of ‘Handel’s in a Rage’. Directed by British baroque violinist, Garry Clarke, Baroque Band are ‘a stylish and exciting period-instrument ensemble’ (Chicago Tribune) who have made an immediate impact on the Chicago music scene.
Jennifer Ellis is one of America’s leading early music singers and has sung with the Washington Bach Consort, the Bach Choir of Bethlehem, and the New York Collegium with Andrew Parrott conducting. Her international career has included appearances with the period instrument groups American Bach Soloists, Portland Baroque Orchestra, Santa Fe Pro Musica, Seattle Baroque Orchestra, Opera Lafayette, Musica Angelica, Magnificat, and Washington Cathedral Choral Society.
Handel’s in a Rage includes two of the composers fiery Italian cantata’s: Tu Fedel? Tu costante? and Armida abbandonata ; the concerti grossi Op. 6, No. 1 in G Major, and No. 7 in B flat Major and the overtures to Semele and Xerxes.
Chicago Symphony Orchestra
Mark Elder, conductor
Stephen Hough, piano
Janácek
-
Jealousy
Rachmaninov
-
Piano Concerto No. 4
Kancheli
-
...à la Duduki
Janácek
-
Taras Bulba
The last of Rachmaninov’s grand romantic piano concertos is one of his overlooked treasures, full of soaring melodies and impressive fireworks. Based on the famous Gogol story, Janácek’s Taras Bulba is a riveting symphonic poem of powerhouse drama and stunning musical effects.
Wendesday, December 12, 7:30 p.m., Symphony Center, Chicago
Saturday, December 15, 7:30 p.m., Rockefeller Memorial Chapel
Monday, December 17, 7:30 p.m., Nichols Concert Hall, Music Institute of Chicago, Evanston
With soprano, Jennifer Ellis
www.baroqueband.org (312) 235-2368
Baroque Band, Chicago’s new period-instrument orchestra continue it’s inaugural season with three December performances of ‘Handel’s in a Rage’. Directed by British baroque violinist, Garry Clarke, Baroque Band are ‘a stylish and exciting period-instrument ensemble’ (Chicago Tribune) who have made an immediate impact on the Chicago music scene.
Jennifer Ellis is one of America’s leading early music singers and has sung with the Washington Bach Consort, the Bach Choir of Bethlehem, and the New York Collegium with Andrew Parrott conducting. Her international career has included appearances with the period instrument groups American Bach Soloists, Portland Baroque Orchestra, Santa Fe Pro Musica, Seattle Baroque Orchestra, Opera Lafayette, Musica Angelica, Magnificat, and Washington Cathedral Choral Society.
Handel’s in a Rage includes two of the composers fiery Italian cantata’s: Tu Fedel? Tu costante? and Armida abbandonata ; the concerti grossi Op. 6, No. 1 in G Major, and No. 7 in B flat Major and the overtures to Semele and Xerxes.Wendesday, December 12, 7:30 p.m., Symphony Center, Chicago
Saturday, December 15, 7:30 p.m., Rockefeller Memorial Chapel
Monday, December 17, 7:30 p.m., Nichols Concert Hall, Music Institute of Chicago, Evanston
With soprano, Jennifer Ellis
www.baroqueband.org (312) 235-2368
Baroque Band, Chicago’s new period-instrument orchestra continue it’s inaugural season with three December performances of ‘Handel’s in a Rage’. Directed by British baroque violinist, Garry Clarke, Baroque Band are ‘a stylish and exciting period-instrument ensemble’ (Chicago Tribune) who have made an immediate impact on the Chicago music scene.
Jennifer Ellis is one of America’s leading early music singers and has sung with the Washington Bach Consort, the Bach Choir of Bethlehem, and the New York Collegium with Andrew Parrott conducting. Her international career has included appearances with the period instrument groups American Bach Soloists, Portland Baroque Orchestra, Santa Fe Pro Musica, Seattle Baroque Orchestra, Opera Lafayette, Musica Angelica, Magnificat, and Washington Cathedral Choral Society.
Handel’s in a Rage includes two of the composers fiery Italian cantata’s: Tu Fedel? Tu costante? and Armida abbandonata ; the concerti grossi Op. 6, No. 1 in G Major, and No. 7 in B flat Major and the overtures to Semele and Xerxes.
Chicago Symphony Orchestra
Mark Elder, conductor
Stephen Hough, piano
Janácek
-
Jealousy
Rachmaninov
-
Piano Concerto No. 4
Kancheli
-
...à la Duduki
Janácek
-
Taras Bulba
The last of Rachmaninov’s grand romantic piano concertos is one of his overlooked treasures, full of soaring melodies and impressive fireworks. Based on the famous Gogol story, Janácek’s Taras Bulba is a riveting symphonic poem of powerhouse drama and stunning musical effects.
Chicago Symphony Orchestra
Ludovic Morlot, conductor
Eugene Izotov, oboe
Dvorák
-
Slavonic Dances
Mozart
-
Oboe Concerto
Bizet
-
Suite No. 2 from
L’arlésienne
Strauss
-
Suite from
Der Rosenkavalier
Newly appointed principal oboe Eugene Izotov is featured in Mozart's sublime Oboe Concerto, a work of supple grace and melting lyricism. Bizet's sparkling music from L'arlésienne and a suite of thrilling orchestral highlights from Strauss' sumptuous opera Der Rosenkavalier complete the program.
Chicago Symphony Orchestra
Ludovic Morlot, conductor
Eugene Izotov, oboe
Dvorák
-
Slavonic Dances
Mozart
-
Oboe Concerto
Bizet
-
Suite No. 2 from
L’arlésienne
Strauss
-
Suite from
Der Rosenkavalier
Newly appointed principal oboe Eugene Izotov is featured in Mozart's sublime Oboe Concerto, a work of supple grace and melting lyricism. Bizet's sparkling music from L'arlésienne and a suite of thrilling orchestral highlights from Strauss' sumptuous opera Der Rosenkavalier complete the program.
Joyful carols, solemn chant and vibrant works for brass create a pageant of sound as voices rise to the rafters and bells ring out in the night. Celebrate the season with inspiring music in soaring spaces—assure your place at one of Chicago’s most beloved holiday traditions.
For tickets, or more information, contact the box office at 312.551.1414 or go to our website.Oklahoma! is a story about the courtship of two pretty farm girls by their cowboy suitors set in the Oklahoma Territory in 1906.
Ticket prices for Oklahoma! range from $28-$80.
Chicago Symphony Orchestra
Ludovic Morlot, conductor
Eugene Izotov, oboe
Dvorák
-
Slavonic Dances
Mozart
-
Oboe Concerto
Bizet
-
Suite No. 2 from
L’arlésienne
Strauss
-
Suite from
Der Rosenkavalier
Newly appointed principal oboe Eugene Izotov is featured in Mozart's sublime Oboe Concerto, a work of supple grace and melting lyricism. Bizet's sparkling music from L'arlésienne and a suite of thrilling orchestral highlights from Strauss' sumptuous opera Der Rosenkavalier complete the program.
Joyful carols, solemn chant and vibrant works for brass create a pageant of sound as voices rise to the rafters and bells ring out in the night. Celebrate the season with inspiring music in soaring spaces—assure your place at one of Chicago’s most beloved holiday traditions.
For tickets, or more information, contact the box office at 312.551.1414 or go to our website.Oklahoma! is a story about the courtship of two pretty farm girls by their cowboy suitors set in the Oklahoma Territory in 1906.
Ticket prices for Oklahoma! range from $28-$80.Joyful carols, solemn chant and vibrant works for brass create a pageant of sound as voices rise to the rafters and bells ring out in the night. Celebrate the season with inspiring music in soaring spaces—assure your place at one of Chicago’s most beloved holiday traditions.
For tickets, or more information, contact the box office at 312.551.1414 or go to our website.Oklahoma! is a story about the courtship of two pretty farm girls by their cowboy suitors set in the Oklahoma Territory in 1906.
Ticket prices for Oklahoma! range from $28-$80. This is a Family Matinee and ages 21 and younger are half price.Oklahoma! is a story about the courtship of two pretty farm girls by their cowboy suitors set in the Oklahoma Territory in 1906.
Ticket prices for Oklahoma! range from $28-$80.
Oklahoma! is a story about the courtship of two pretty farm girls by their cowboy suitors set in the Oklahoma Territory in 1906.
Ticket prices for Oklahoma! range from $28-$80.
Oklahoma! is a story about the courtship of two pretty farm girls by their cowboy suitors set in the Oklahoma Territory in 1906.
Ticket prices for Oklahoma! range from $28-$80. This is a family matinee and ages 21 and younger are half price.
Oklahoma! is a story about the courtship of two pretty farm girls by their cowboy suitors set in the Oklahoma Territory in 1906.
Ticket prices for Oklahoma! range from $28-$80.
Oklahoma! is a story about the courtship of two pretty farm girls by their cowboy suitors set in the Oklahoma Territory in 1906.
Ticket prices for Oklahoma! range from $28-$80.
Oklahoma! is a story about the courtship of two pretty farm girls by their cowboy suitors set in the Oklahoma Territory in 1906.
Ticket prices for the New Year's Eve performance of Oklahoma! range from $44-$82.
The Chicago Chamber Musicians presents its free First Monday concert in Preston Bradley Hall at The Chicago Cultural Center, featuring Quintet Attacca, grand prize winners of the Fischoff National Chamber Music Competition, performing wind quintets by Elliott Carter, who celebrates his 100th birthday in 2008, and David Maslanka.
Broadcast live on 98.7/WFMT
Sponsored by Blue Cross and Blue Shield of Illinois and the National Endowment for the Arts.
Tuesday, January 8th
7:30 pm
The Architrouve
1433 West ChicagoAvenue
Chicago, IL 60622
www.thearchitrouve.com
Tickets are $25 - Space is Limited
Call Tonya Pyatt to make a reservation
312.563.0977
Designed and executed in 2006, the mission of TheArchitrouve is to embrace and promote the creative process as reflected in theart and culture of Chicago. We will enhance, encourage and showcase the artistswith this vision.
The Architrouve is proud topresent the live classical music performance by the Callisto Ensemble. Foundedin 2003, the Callisto Ensemble erases boundaries between antique and modernmusic. The ensemble members, violinists Stefan Hersh and Robert Waters, violistRoger Chase, and cellist Julian Hersh, bring contemporary music to lifealongside passionate performances of standard masterpieces. The CallistoEnsemble gives audiences a unique window to the language of modern composers,through season-long surveys of a living composers' works and through theprovocative juxtaposition of old and new.
Austrian wines will be served by award winning wine maker Paul Lehrner. Come have a seat and listen to classical music, taste award winning wine, while viewing the current salon exhibition of Fine Art Rescue.
Works of acclaimed composer Bernard Rands will be featuredin the concert along with works of Aitken, Vieuxtemps, and Brahms. Throughoutthe concert, members of the Callisto Ensemble provide oral program notes,further strengthening the audience's connection with the music they arehearing.
This project is supported by a Community ArtsAssistance Program grant from the City of Chicago Department of CulturalAffairs and Illinois Arts Council a state agency. This program is partially supported by a grantfrom the Illinois Arts Council, a state agency.
Chicago Symphony Orchestra
Myung-Whun Chung, conductor
Piotr Anderszewski, piano
Beethoven
-
Piano Concerto No. 1
Tchaikovsky
-
Symphony No. 4
Recognized for the intensity and originality of his interpretations, Piotr Anderszewski returns to the CSO to perform Beethoven's lyrical Piano Concerto No. 1. Tchaikovsky's Symphony No. 4 transforms from darkness to light from its melancholy beginnings to its triumphant conclusion.